Tuesday, October 13, 2009

Bag of Bones: Chapter 17 (pages 284-301)

The greatest chapter in an otherwise so-so book. The chapter is devoted to our "hero" Mike Noonan being pelted with rocks by Max Devore and his secretary the elderly Rogette Whitmore. In chapter 17, Mike says that, "Michael Noonan, Max Devore, and Rogette played out their horrible little comedy scene Friday evening." (page 272). This would lead me to believe that King knows this upcoming chapter is funny (I would say hilarious).
Mike takes a walk by the lake and is overtaken with spirits entering his body. His mouth fills with water from the lake (this is used throughout the book to mark when the spirits are entering him) but when he goes to spit it out nothing comes out. His head is filled with multiple spirits all shouting at once.
While he is going through this spell of demon possession, Max Devore comes up behind him and says, "Whore master, where's your whore at?" Max is in some kind of motorized cart and Rogette Whitmore is beside him. In this section, King has left any kind of reality based characterization behind and Max is a mix of Ross Perot and the grandfather on "King of the Hill." He taunts Mike about Mattie and Mike tells him to go to hell. Max tries to run him down with his cart and to avoid this, Mike jumps off the embankment into Dark Score lake.
This is where the chapter really takes off. Max's assistant, who has been described as being about seventy, starts to throw rocks at Mike as he tries to swim away to home. King does a very good job of describing what it's like to have rocks thrown at you while you're swimming. King (like most popular writers) is quite adept at describing action sequences. Mike tries to come up for air, down comes another rock. He looks up to see Rogette standing at the cliff with more rocks and Max egging her on and laughing. It's all very funny and I bet King had a good time writing this chapter.
The fact is, that Mike Noonan is a pretty unlikable protagonist. He does nothing but think about himself and while he appears to have feelings for Mattie all the forty something thinks of when he's with the twenty year-old Mattie is just straight-up sex.
There's a part in an earlier chapter where he's telling Mattie the meaning of the short story, "Bartleby," by Mellville. Noonan says that Bartleby is the first "existentialist protagonist" in American literature. This is because he has no family or community affiliation. Work is his only connection with human society. When he stops working, "he floats away like a balloon." King inserts this little bit of wisdom, and while it's an OK interpretation of Bartelby it doesn't fit Mike Noonan at all. Bartleby refuses to do work, even though he is capable of it. Therefore voluntarily cutting those ties. Mike cannot perform his chosen task and therein lies the difference. No other line of work is even discussed in the novel for him and Mike also serves on a number of volunteer boards and such. Mike's no existentialist hero, just an asshole. Believe me, he takes no joy in anything but his writing and the thought of sex with Mattie. I loved seeing him pelted with rocks for ten pages.
At the end of the chapter he struggles to get to his floating deck in the middle of the lake, out of range from the rocks. He tries to climb the ladder then clearly feels a hand helping him up onto the deck. He knows this is Jo's ghost helping him in a physical way.
Wonderful chapter.

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